Primetime episodes
300+. Daily dramas and TV shows - Production sound, sound design, original score, and audio post.
Cinematic soundscapes, original music, broadcast-ready mixes. One provider.
Production sound, dialogue and ADR, sound design, Foley, original music, and the final mix — for commercials, television, film, and radio. We work with producers, production houses, and agencies, either on the whole chain from the shoot to delivery, or on the single stage you need covered.
01 — What we do
-
Dialogue, ADR and voice-overs
Dialogue editing and cleanup, ADR recorded in our studio or in a booth near your cast, and voice sessions for narration, campaign VO, and character work. Voice casting through our pool of local and international talents. Directors and producers can attend sessions remotely when needed via select streaming services.
-
Original music
Original scores written to the cut, by our in-house composers or by a roster we assemble for the brief — commercials, series, film, idents, and game music. On long-running series we write ahead of the broadcast run, so episodes draw from a prepared score library rather than waiting on new cues each week.
Music and scoring -
Sound design and foley
We love building rich, cinematic worlds from scratch. Backgrounds and ambiences, hard effects, designed elements, and the detail work that makes a scene turn on. Foley is recorded per project — footsteps, cloth, props, and handling — by our team at a stage we book for the session. Where a scene needs something specific we record it; where library does the job honestly, we use library.
-
Production sound
Full sound crew and management of location and stage recordings. Multitrack recording with timecode locked to camera, boom and radio mics, plant and vehicle rigs, wireless coordination on crowded frequency days, and a scratch mix for the edit. Labelled sound reports, isolated tracks, wild lines, and room tone, in a folder structure your assistant editor can drop straight into the timeline.
-
Mix and delivery
Stereo and surround sound mixes, cut to the loudness and QC spec your platform enforces — EBU R128 for European broadcast, ATSC A/85 where it applies, and the delivery sheet your broadcaster or streamer works from. Every delivery includes stems alongside the full mix, plus alternate lengths and versions where the campaign needs them.
-
Game audio
Interactive music and sound effects that can be implemented in Wwise/FMOD by the same people that made them. Vertical layers, transitions, stingers, and state mapping, authored and tested in the middleware. Our music runs on mobile titles with more than 300 million downloads.
-
AI-assisted audio and voice processing
AI-assisted dialogue work for commercials, games, film, and series. Synthesized voiceovers built on directed human performances, cloned and converted voices with documented consent, and dialogue rescued instead of re-shot. We'll tell you what we can restore, before committing to ADR or voice-cloning.
AI-assisted audio -
Forensic audio and restoration
Restoration and enhancement of recordings that matter — for attorneys, investigators, insurers, and private clients, under NDA by default. Most of our daily post work is dialogue salvage — when location audio arrives compromised it still has to air. We've done that at scale and on deadline. We use many of those same processes and workflows in forensic audio restoration.
Forensic audio services
02 — How we fit in
Take the whole chain, or just the stage you're missing.
-
The whole chain
We cover sound from the first shooting day through to the delivered master. The crew that recorded the location audio works in the same building as the team mixing it, so a question about a scene gets answered instead of worked around.
-
Post only
Send a locked picture with an AAF or OMF. We conform, and re-conform when the edit moves — then dialogue edit, sound design, score if you want it, mix, and delivery to your spec sheet. This is the common shape on commercials, and on films where someone else handled the shoot.
-
Taking over from another house
We've restarted audio post on a daily drama at short notice when the schedule outran the house that began it, and we've taken on shows for a new season after another house already delivered the previous one. Both ask for the same things: matching an established sound, absorbing or improving on someone else's templates, and getting back on cadence quickly.
03 — By the numbers
Clips in one library, delivered in 6 months
1100+. 5KA on VOYO: nine grades of the Slovenian national curriculum, sound design and final mix across the catalogue.
years of client partnerships
10+. We've kept the same clients' trust even across multiple agency swaps
04 — Selected work
05 — Slovenian, when you need it
-
Dubbing, subtitling, and Slovenian voice.
We record and direct Slovenian voice, dub and subtitle for streaming catalogues, and narrate long-form. There is a compliance side to it as well: the amended Public Use of Slovene Act has required Slovenian in device interfaces sold here since October 2025, and voice interfaces follow at the end of October 2026.
Slovenian localization
06 — Get in touch
Let's build your project's sonic identity.
Send us the cut and the delivery date.
Tell us what you have — a script and a shoot date, a locked picture, or a series already on air — along with the spec you deliver to and when it's due. We'll come back with a plan and a number. Producer and agency enquiries get an answer within one business day.